Personal blog - and temporary home page until new website is finished - of writer, editor and graphic artist Christopher Mills


Thursday, November 10, 2016

New Blu-rays!

So, I picked up a few Blu-rays last night, and with store credit, it only cost about $7 for the bunch.

The new Scream Factory special edition of John Carpenter's The Thing is stunning, and the supplemental material is damn-near exhaustive. Hopefully, I'll never have to buy this one again.

Batman: The Return Of The Caped Crusaders is a lot of fun, though I found the actual animation to be underwhelming and kinda TV-cheap-looking.

Cat's Eye is a nostalgic 80s favorite and looks great on Blu.

Kino-Lorber's Blu-ray of I, The Jury is a bit of a disappointment, though. It looks like it was sourced from the same material as the manufactured-on-demand DVD from a few years ago. There's a marginal uptick visually from the SD version, but it really should have been re-scanned and remastered.

Wednesday, November 09, 2016

Wednesday Covers: The Expendables

No, not those Expendables. These Expendables were a group of rogue space adventurers created by author Edmund Cooper (under the pen name of "Richard Avery") back in the 1970s. The four book series was published by Fawcett, and all the volumes sported terrific cover art by Ken Kelly. Enjoy!


Thursday, October 27, 2016

Bangorefest This Weekend

This weekend, I'll be attending my second convention in less than a week: Bangorefest in Bangor, Maine. Well, technically, it's in Orono at the University of Maine's New Balance Field House, October  28 through the 30th. I'll be there on Saturday and Sunday, hawking my various comics and hopefully, scoring an autographed Twiki photo from Felix Silla.

The horror-themed show will host a slew of actors and other genre celebrities, including most of the cast of John Carpenter's 1983 film adaptation of Stephen King's Christine. Hell, even the car will be there.

If you're in Central Maine this weekend, I hope you'll stop by.

Monday, October 10, 2016

Portland Comic Expo - Oct. 23

On Sunday, October 23rd, I'll be exhibiting at the Portland Comic Expo at the Portland Exposition Building in Portland, Maine. Admission is only $5. (http://www.portlandcomicexpo.com/)

At both shows, I'll have copies of my Femme Noir, Gravedigger, Shadow House, Perils On Planet X and Kolchak comics - as well as the pulp anthologies I've contributed to and the new Gravedigger mini-poster - for sale.

Wednesday, September 28, 2016

GRAVEDIGGER Poster

Here's a new Gravedigger mini-poster by Rick Burchett that I hope to have available for sale at the Portland Comic Expo and Bangorefest conventions in October (if I can get them printed in time).

Obviously, we were going for a 70s crime movie poster vibe.

Note also, the first official use of the new logo!

Saturday, September 24, 2016

October Appearances: Portland Comic Expo & Bangorefest!


In about a month, on October 23rd, I'll be exhibiting at the Portland Comic Expo at the Portland Exposition Building in Portland, Maine. Admission is only $5. (http://www.portlandcomicexpo.com/)

Less than a week later, I'll be appearing at BANGOREFEST at the University of Maine in Orono. (http://www.bangorefest.com/) on Saturday and Sunday, October 29 & 30.

Evidently, I'm not notable enough to appear on either website, but I will be at both events.

At both shows, I'll have copies of my FEMME NOIR, GRAVEDIGGER, SHADOW HOUSE, PERILS ON PLANET X and KOLCHAK comics - as well as the pulp anthologies I've contributed to - for sale.

It's going to be a hectic month. Hopefully, I'll get to see some of my New England friends (and maybe make some new ones) in Portland and/or Bangor in October!

Friday, September 23, 2016

New GRAVEDIGGER Logo

Decided that Gravedigger needed a new, more 70s logo. You'll be seeing it on the next miniseries and a few other places...

Saturday, September 17, 2016

My Future Comics Plans


People keep asking about whether or not there will be future installments of Femme Noir and Perils On Planet X. The short answer: there's nothing planned.

Joe Staton and I did have a Femme Noir miniseries in the works, and had it pretty much ready to go. We even thought we had a major publisher lined up... but it fell through. Other publishers were approached and seemed mildly interested, but offered no commitments. With Joe's Dick Tracy workload, it's not practical to produce a four-issue miniseries on spec, so....

As for Perils On Planet X, we simply haven't sold enough copies of the first miniseries for Gene Gonzales and I to feel that a second would be worth our while. I'm still trying to get the existing issues on Comixology and may put together a trade paperback collection, so if there's a spike in interest/sales it's not impossible that we'll get to produce Volumes 2 and 3, but it's not very likely.
 
So, what is in the works?

There will be a new Gravedigger miniseries, "The Abductors," most likely in late 2017 from Action Lab comics. Rick Burchett and I also have plans for a very different comics project - a sci-fi adventure epic - once Gravedigger Vol. 2 is finished.

I'm still working on the Space Crusaders graphic novel with Peter Grau, though I have no idea when it will be finished... and that's all I have cooking at the moment, comics-wise.

I have a couple other projects percolating, but they're in the earliest stages, and I'm waiting on some collaborators to find time in their schedules.

So, there we go. I've got some scripts to finish up that should keep me busy through the end of the year, but not much planned for next year. 
 
Hopefully, I'll find some artists that want to team up with me on some new stuff... I've got lots of stories left to tell.

Thursday, September 08, 2016

STAR TREK @ 50


I’m one year older than Star Trek. Of course, as memories of my early years are lost to the fog of infancy and toddlerhood, I don’t recall really becoming aware of its existence until I was about nine years old, when, in 1974, the Star Trek animated series became a staple of my Saturday morning cartoon viewing. Around the same time, I received a Mego Captain Kirk action figure for Christmas. Other random Trek toys – and a few James Blish paperback novelizations – followed, and for Christmas of 1976, my favorite cousin gifted me with a copy of Bjo Trimble’s seminal Star Trek Concordance.

You’ll have noticed that I haven’t mentioned the original series as yet, and that’s because, in the early Seventies, Trek rarely appeared on any of the four television channels our rooftop aerial was capable of snagging out of the ether. So my love for Kirk, Spock, McCoy, et al, was first nurtured via the cartoon and Blish paperbacks. When I got the Concordance, with its encyclopedic coverage of the classic series, I was able to familiarize myself with the episodes I had not yet seen, whetting my appetite to the point of nigh-insatiability.

Of course, eventually, I saw the entire series (although a few of those episodes eluded me until my sojourn to art school in Jersey in the early 80s, where I finally received a TV channel that aired the show nightly), and, already well-indoctrinated in the mythos, found my passion for the 23rd century and the crew of the U.S.S Enterprise continuing to grow and thrive. Then came The Motion Picture, The Wrath and The Search. There was a Voyage Home, a somewhat disappointing detour into The Final Frontier, and an emotional denouement on the shores of an Undiscovered Country.

Other treks followed, with next generations, lost voyagers and denizens on the edge of deep space, but it was always the (sadly truncated) original Five-Year-Mission that inspired and informed the person I became.

I learned the value of reason and logic from an alien with pointed ears and a Satanic visage. I learned the nobility of humanity and compassion toward all life, regardless of shape, color or form, from an anachronistic Southern medic. And, most importantly, I learned about the worth of boldness, courage, and tempered wisdom from a charming leader with a confident swagger sporting a gold tunic. Kirk was a fighter, a diplomat, a philosopher - and a libidinous wolf – but in my eyes, he was the best of us as a species. He wasn’t perfect – and to his credit, usually admitted his flaws and acknowledged his mistakes – but he was also a man of intelligence and action, who sought out brave new worlds and always had his eye on the future.

I have aspired to all of these things, and usually fallen woefully short. But Star Trek continues to fire my imagination, fuel my creative efforts, inform my social conscience and drive my personal ambitions. To me, it’s not just a television show, and apparently, many, many others feel the same way. If that wasn’t the case, then we wouldn’t be celebrating the anniversary of its debut fifty years ago today. The brand wouldn’t be gracing new movies and TV shows (regardless of their relative merits) on our screens, large and small(er). And Star Trek wouldn’t still be sparking imaginations and inspiring so many people, of all ages and backgrounds.

May Gene Roddenberry’s vision of humanity’s future live long and prosper... and the U.S.S. Enterprise and her valiant crew go boldly on forever.

Wednesday, August 31, 2016

Wednesday Cover: The Lost Continent

This week, we've got another terrific Frank Frazetta cover - this time for an Ace paperback edition of Edgar Rice Burroughs' science fiction novel, The Lost Continent (a/k/a Beyond Thirty). Enjoy!

Tuesday, August 30, 2016

Process: SPACE CRUSADERS

This past week and a half, I've been writing dialogue and placing rough lettering for the Rex Dexter of Mars story, "Menace of the Saurian Sphere," from my forthcoming graphic novel anthology with artist Peter Grau, Space Crusaders.

About two years ago, I sent Peter a plot, which described, page by page, the action of the story. Various life circumstances delayed further work for a while, but he recently finished his layouts/rough pencils for the whole tale. A week or so back, I needed to take a break from Gravedigger for a while, so I took Peter's roughs, loaded them into page templates and started writing the dialogue - and lettering the pages at the same time.

I find that lettering comics pages as I write the dialogue works very well for me - I scripted the last Gravedigger the same way. It helps me to see exactly where the words will be and allows me to make sure that I don't over write. And as a graphic designer, I think I'm pretty good at integrating the lettering with the art in a way that complements both.

Anyway -- I've now completed the script and letters for the Rex Dexter story, and I'm pretty happy with how it turned out. It's going to be a while yet before the book itself is done - Peter still needs to ink and color the story, and we still have a second feature to do - but it's definitely a testament to Peter's storytelling skill that I never had an easier time dialoguing one of my own plots.

As always... stay tuned for future updates.

Wednesday, August 24, 2016

Wednesday Cover: Maza of the Moon

The artwork of the great Frank Frazetta graces the cover of Maza Of the Moon, an interplanetary adventure by Otis Edelbert Kline. I just acquired this vintage Ace paperback and have added it to my already formidable "To Be Read" stack...

Wednesday, August 03, 2016

GRAVEDIGGER Vol 2 Update

Here's a very brief update on Gravedigger: The amazing Rick Burchett and I are plugging away on the second Gravedigger miniseries, which will be published by Action Lab: Danger Zone (hopefully in mid-to-late 2017). It's coming slowly, but it's gonna be great.

It's called "The Abductors," and is the longest Digger McCrae caper yet, running for a full four issues. It's an interesting challenge for me because the 4-issue length requires a different sort of structure and pacing. I also try to use each new Gravedigger story to try different storytelling approaches. This one, "The Abductors," is quite different from earlier Gravedigger stories, "The Predators" and "The Scavengers," storytelling-wise.

Since our publisher likes them - and, apparently, so do fans and retailers - we've also got a slew of variant covers planned, and a terrific group of artists to draw them. Personally, I can't wait to see how all of these talented creators interpret Digger in their own unique styles.

Stay tuned for further updates and (eventually) some sneak peeks of pages (and maybe some of those variant covers?)....

Wednesday, June 29, 2016

Wednesday Covers: Xenozoic Tales

One of my favorite comic book series of all time is Xenozoic Tales by Mark Schultz. The series was alternately known as Cadillacs & Dinosaurs after the title of this collection and the subsequent Saturday Morning animated series (still not on DVD, dammit). Set in a wild post-Apocalyptic future where dinosaurs have been reborn and humanity struggles to maintain a balance between the new natural order and its pre-holocaust technologies, Schultz's series is gorgeously-drawn and cleverly written.

Schultz's artwork is classic, echoing the great illustrators of the past, while exhibiting a dynamism and romanticism all its own. I love it.

The writing is sharp, too, a genre mashup packed with adventure, intrigue, politics, mysticism, and great characters, topped off with satisfying helpings of dinosaur mayhem.

These covers are from the three oversized collections published by Kitchen Sink Press in the 90s. They're the ones I own, and don't quite collect the entire saga. The series has been re-issued a few times since, and I hope one day to acquire the complete collection.


Friday, June 10, 2016

Spy-Fi: THE BILLION DOLLAR THREAT

The Billion Dollar Threat was a 1979 TV movie/pilot that starred Dale Robinette as American secret agent Robert Sands, who must foil the nefarious plan of mad scientist Horatio Black - played by none other than John Steed himself, Patrick Macnee - to destroy the ozone layer with a nuclear missile. The movie was produced by TV veteran David Gerber (who tried a spy show again a year later with Once Upon A Spy), and co-starred Keenan Wynn, Ralph Bellamy, and Robert Tessier as a mechanical-handed henchman (de rigueur for supervillain henchmen of the time; see also Death Ray 2000/T.R. Sloane).

I actually taped this one off of TV, so I watched it a number of times. I remember it as a pretty fair - if cheap - little Bondian adventure, written by Hammer Studios vet Jimmy Sangster (Deadlier Than The Male), who seemed to have a penchant for this type of stuff (He also penned the aforementioned Once Upon A Spy and one of the better episodes of  A Man Called Sloane).

I watched that old VHS tape a lot and dug it as a teenager who was just starting to become obsessed with James Bond and spy-fi. I wish I still had that tape.